Music – The Electrified Journalist

City of Light

The fine art of forgetting is perhaps The Necks strongest attribute. A concert by the Australian three-piece slips between the tautly engaged and extended atmospheres of organic drifting, utilising bass, piano and percussion to become something so trance-inducing you lose track of where and whatever you are…

Cold Black Style

By: Mark Mordue November 1, 2021November 2, 2021

Music, Resistance/Interviews9/11, Brotherman, Heartbreak Hotel, John Cage, John Cale, Lou Reed, rap, sympathy, Velvet Underground, Wales1 Comment

I did this is interview with John Cale back in 2010. It reflects on a few encounters across the years and his career up to that time.

Paul Cormack playing bass with Crow at the Palace Hotel in 1988.

Immaculate Friend

By: Mark Mordue May 25, 2021May 25, 2021

Essays, MusicCrow, death, friendship, Paul Cormack, Paul Gormack, Peg4 Comments

I heard the news yesterday that my friend Paul Cormack had died. The message came to me through his daughter Lena. Many might know Paul as the founding bass player for Crow and then Peg, key musical entities on the indie scene in Sydney. I first met Paul back in very early ‘80s when we shared a house together in Petersham.

Living in the Time of Dylan

I believe we are in the Time of Dylan as much as the Time of COVID-19, and that maybe the former will be remembered as much as the latter.

Food Pantry Banjo Ballad #1

By: Mark Mordue March 25, 2020

Current/Reviews, MusicAddi road, COVID-19, folk music, food relief Sydney, food security, social justice, unemploymentLeave a Comment

The words of the songs take on the strange timeless energy of old storytelling that needs repeating, and hard-won wisdoms that need to get won again…

Fire and Ice

In this regard, there seems to be an archetypal story uniting the constellation of works being played tonight. One that might tell the tale of a man caught between two worlds; a man who must play out a fated role, with a woman’s suffering or absence haunting him, with a lost child or shadow brother in danger, with an act of violence made necessary along the way, on a journey through places hot or cold – and always endless– where his spirit might be purified and put to rest, and some idea of justice or balance be restored. I don’t know if that is the story. But it sounded something like that to me as I dreamt and woke again.

Wild Colonial Boys

By: Mark Mordue January 16, 2020January 27, 2020

Current/Reviews, Essay, MusicBarking Spiders, Blood Moon, Cold Chisel, Khe Sanh, Marrickville, Mawson Hotel, Newcastle, The Factory, Wild Colonial Boy, working class2 Comments

At a venue called The Factory, I join an unusually busy line-up for an obscure band called The Barking Spiders. My wrist is stamped with what looks like a bird’s wing – and in I go, to a not-so-secret warm-up show by the legendary Australian group, Cold Chisel.

Christopher, Tama and Miro from the band Polly. Photo by Mark Mordue.

Sound and Vision – Polly, here today, arriving tomorrow

By: Mark Mordue December 24, 2019January 13, 2020

Music, Resistance/Interviewsalternative music, blue light, dreaming, Dulwich Hill, indie rock, Marrickville, Neutral milk Hotel, Nick Cave, Nirvana, Pixies, Polly Band, Radiohead, teenage music, The CureLeave a Comment

Miro from Polly says they are just “a weird rock band from Marrickville”. Talk to him for a little while and you get the feeling they might become something much more than that. Miro has just turned 14; his band mates Tama and Chris “are still 13, but they will be 14 soon.”

The Disappearing Man – Jarvis Cocker goes hardcore

By: Mark Mordue December 19, 2019January 13, 2020

Music, Resistance/InterviewsChannel 4, Common People, Different Class, Iggy POp, Innocence, Irvine Welsh, Jarvis Cocker, Ken Kesey, outsider art, pornography, Pulp, Scott Fitzgerald, This is HardcoreLeave a Comment

Jarvis Cocker wanders through London’s Tower Books and Records like a spy in a foreign country. Close by, music fans are harvesting the racks of pop releases, among them the extraordinary 18-year legacy of his band Pulp. “You must feel like you’re running the gauntlet,” I whisper. “It’s OK,” he says crisply, “as long as you keep moving.”

The Rapture – Nick Cave and The Bad Seeds’ Ghosteen

By: Mark Mordue October 6, 2019October 8, 2019

Current/Reviews, Musicbad seeds, buddha, death, ghosteen, grieving, jesus, mahler, Nick Cave, reincarnation, spiritality3 Comments

Nick Cave’s ‘Higgs Boson Blues’ are no longer opening up the mysteries of the universe. Those mysteries are closing down. Welcome to the goodbye mass.

I’m an Australian journalist, editor, writer and poet.

I was born and raised in Newcastle, New South Wales, dividing my teenage years between the coastal steel-mining town and Nhulunbuy on the Gove Peninsula in Arnhem Land.

After I finished uni in Newcastle I headed for the big city, and have lived in Sydney ever since – not counting detours back to the Northern Territory and down to Thirroul on the south coast – a year overseas back-packing everywhere from Iran to New York – and a block of time studying in China as a writer.

I’ve written a few books of poetry, a collection of travel stories and a recently completed biography of Nick Cave that has taken me forever. There’s a draft of a novel I’m reworking and pretty happy about too. It’s as if all the voltage of the past has built up and despite all kinds of struggles much of what I’ve pursued is finding some fuller radiance now.

In the meanwhile, I’ve been published all over the country and internationally – from making my start in rock journalism to writing essays to doing interviews and reviews and covering all manner of things that take my interest.

Some of those crossed wires, bright sparks and loose connections can be found here.

– Mark Mordue

Back in 2004, I wrote an essay called ‘The Electrified Journalist’. It was an attempt to explore the line I’d been walking for most of my working life between non-fiction interests and fictional techniques, not to mention my attempts at a poetic style.

The New Journalism was one obvious reference. But really the lyricism of rock ‘n’ roll has always been a driver inside me, affecting me and pushing me, reshaping me.

‘The Electrified Journalist’ and was published at a wonderful music and arts website called Neumu.

The essay focuses on my rock journalism – but it speaks for much more in what I try to do. Nearly two decades on from writing it, I don’t think that much has changed.

Here’s a relevant fragment:

“I think there is a vaguely religious quality to all this, that writing about music and writing inspired by music leads to songs of innocence and experience on the page as much as between the ears. It’s a devotional act, a real love thing, which is why it can be an angry and hateful and messy thing too. I often think the best rock ‘n’ roll magazines and writers have a reach-for-the-stars touch of anarchy about them, a sense of risk that inevitably involves failure as much as moments of white-light wonder.”

‘The Electrified Journalist’ can be found in full here at weblink for Neumu.

Via Us: Poems From Inside the Corona

Via Us is a collection of poems exploring the impact of COVID-19 on an individual and the society he exists in. The meaning and nature of love, in particular relation to parenthood and connections to one’s children, is vital to the work. Questions of mortality are inevitably raised; reflections coloured by the virus as awareness of its presence grows. The writing struggles with isolation, but is also ecstatic with this same energy – connecting it to our era and its strangely separated, socially distanced, yet deeply shared mood. The goal is not just poetry, but a form of existential reportage enquiring into the day-to-day conditions of the world: journalism with an inner eye. It’s a vision supported by photographs taken at the same time as each work was being written: a few images even initiate the drive to create a poem; most are taken to enhance what is developing, or has just been set down in words. With the exception of some handwritten works from a notebook, all poems and photos were developed on an iPhone 9 using Notes and Camera facilities. All poems were developed over a period of seven weeks, from early March till just after Easter in April 2020. All poems were written in the Inner West of Sydney. Via Us is a diary of this place and time ................. PLEASE NOTE: A pdf 'Via Us' download is available below. The PayPal charge for one copy is accepted on trust. You can actually download 'Via Us' from the link supplied (just scroll down further to find) for free – or choose to donate the RRP$9.99 in multiples of 1,2,3 etc through PayPal as you wish. Any donation to project will cover time spent and costs, as well as a possible print outcome.

$9.99

Above is a video of me reading a poem of mine called ‘Tuesday Flowers’. It’s about a day with my kids. It was filmed at Jane Siberry‘s Songwriters in the Round night at Estonian House in Surry Hills. You can see Jane seated beside me, then Paul Andrews and Tanya Sparke. It was a special kind of event. Wherever you are in the world you should go when you see Jane when she is in town and it is being advertised… music, poems, conversations about creating, it’s a kind of magic opening up and different every time she gathers a community of artists together. Special thanks to Gary Crockett for making this slice of film and passing it along.

Berlin Babylon

Television – Berlin Babylon. Created and written by Tom Twyker, Achim von Borries and Hendrik Handloegten. Starring Volker Bruch as Inspector Gereon Rath and Liv Lisa Fries as Charlotte Ritter.

Books – The Plague by Albert Camus.

Film – Nada. They are closed for social distancing purposes.

Music – Shame, Drunk Tank Pink.

Performance – Kate Tempest at The Factory, Marrickville. It was something else. And yeah it has been a while since a live show was a normal thing to experience.

Count Volta demonstrates his newly-invented battery or “Voltaic pile” to Napoleon. Alessandro Volta (1745- 1827) was an Italian physicist. He became interested in electricity in 1786 after seeing the work of Galvani. Volta was the first to show that an electrical current flowed when two dissimilar metals were brought into contact. In 1800 he constructed a device which used this effect to produce a large flow of electricity. Bowls of salt solution were connected together by metal strips, each composed of copper at one end & tin or zinc at the other, and a current was produced. A compact version of this, using a stack of discs of copper, zinc & cardboard moistened with salt solution, was shown to Napolean in 1801. Upon presenting his invention, Napolean awarded Volta the medal of the Legion of Honor and made Volta a count. The unit of electrical potential, the volt (V), is named after him.